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The roughing gouge performs the initial removal
of wood in spindle turning. The high flute sides make it ideal for roughing
from square to round with the cut made in the center area of the gouge.
The sides cut like a skew to smooth the ripples from cylinder and taper
shapes leaving a surface finish good enough to go straight to sanding
without using any other tool. The roughing gouge works well in pen turning
also.
The roughing gouge is not a tool for use in bowl turning. The large
amount of cutting edge and the small tang of the tool at the handle
make this tool a bad choice for large diameter faceplate turning. |
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You can see from this view the flat stock
sectioned metal used to form the gouge. Roughing gouges range in size
from ¾” to 1 ½”.
Select the size gouge for the size spindle turned.
This is a view of the gouge straight form the grinder with the wire
edge still visible. I go straight from the grinder back to turning
with this tool. The wood itself will remove the fine wire edge quickly
so I do not take extra time to hone it. When turning spindles with
the bevel rubbing the wood acts like a buffing wheel and actually improves
the sharpness of the edge for a short time before starting to wear
the edge away. If the edge were presented to the wood with no bevel
contact like a scraping cut the edge would start to wear away immediately. |
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I grind my roughing gouge as most do straight
across on the edge. The grind I prefer on this gouge is acute, 38 degrees,
while others may
prefer a blunter one. It is your tool to grind, as you like for your
style turning. |
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Since the metal of the gouge is consistent in thickness
throughout its width, the ground bevel length stays the same also. |
Round section spindle
gouge |
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These are my three favorite spindle gouges.
They are 1/2”,
3/8”, and 1/4” from left to right. The gouges are round stock with
a fingernail grind. With these three gouges, I can turn most any spindle
shape and
detail bowls or hollow forms. |
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This gouge has a lot thicker section of metal in the center
than the sides. The center is where most all cutting takes place. The
thickness of the tool makes it more rigid and able to resist vibration
which would cause ripples in the turned wood surface. |
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This view shows where the term fingernail grind comes
from. The end looks like a manicured long fingernail. This profile gives
more actual cutting edge on the tool than one ground straight across
and allows the cutting edge to get into tighter areas because the flute
sides are ground back. |
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You can see from the bevel where the tool
is thicker the bevel will be longer. If the tool were like the roughing
gouge, uniform
in thickness from side to side, the bevel would be the same length
from side to side. The bevel angle is 38 degrees. |
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This view shows that the bevel is straight across even
though the cutting edge is round in profile. It does not parallel the
edged profile like the roughing gouge. |